Daredevil Is The Hero This City Needs



By now you've probably heard about the Netflix original series, Daredevil, and how amazing and gritty and adult it is. All you need to know is that you need to watch the show. It's that simple. You've probably heard a lot about the show and it has probably gotten on your nerves about how many people who have talked about it. Believe me, I was one of these people. I didn't want to see it at first, I was just as burned by the movie version as anyone else.

If you ask anyone who knows me they can tell you that I have a love-hate relationship with Ben Affleck. I think he is a phenomenal director since Argo literally had me shaking in my chair with goosebumps up my arms. Even The Town was a good movie and I wasn't as disappointed by that performance as I was by others. But he is a terrible actor. And I do mean a terrible actor. The few movies that I have seen weren't terribly bad, but his acting literally had me cringing. So when I got around to seeing Daredevil the movie it wasn't extremely bad, in fact I liked it, but it wasn't great.



However, I was interested to see what a new vision would do for the franchise. I had never heard of Charlie Cox but I had seen him in different interviews on different talk shows and I'll admit that he intrigued me. And no, it had nothing to do with his amazing accent or my completely healthy obsession with British actors. *wink wink* So one day I finally decided to sit down and watch Daredevil. And I was not disappointed.
















A lot of the reviews that I read about it all had one thing in common: they all talked about how adult it is. At first I was confused, I thought comic books was  mostly for everyone and I thought that studios like Marvel understood this. So in shows like Agents of Shield where they have adventures that's fun for everyone, both young and old, they get negative reviews and it hardly seems fair. Agents of Shield is a very good show, yet no one gives it the time of day because it's on broadcast TV so they have certain rules that they have to adhere to. But because Daredevil is on Netflix, which is basically a view at your own discretion streaming service, and it's binge worthy, they play by a different set of rules.  They can curse, they can show more violence, they can talk about more adult themes, the jokes are a lot raunchier, and you control when and where you want to watch it.

While this is all fine and dandy, I have yet to discover why superheroes need to be gritty these days. It's almost like people aren't happy unless their superhero is suffering, moody, brooding, against a drab background, and looking up into the sky like it holds all the answers. It's like Christopher Nolan started a whole trend that every director or every showrunner wants to emulate.  The Dark Night saga was a visual masterpiece and a true lesson in filmmaking, but it shouldn't be the standard. But now every superhero movie or TV show has to be weary and gray and dark. And I don't know why that is. Superheroes are supposed to be fun, they're supposed to excite people and garner  a fan base. It's why we love them in the first place.



It's why I like shows like Agents of Shield or Agent Carter, it's because they're fun. They don't take themselves that seriously. But I digress.

I didn't have a lot of expectations going into the show but immediately from episode one I was intrigued and hooked. What they did with the show was mix past and present between Matt Murdock as little boy and as a grown man. So while you get the origin story of how he was blinded and about his father, right away you're introduced to him as superhero. You're not bogged down by his training or his moral implications about lying to his friends. Plus he's not running around in a red suit just yet. It's a much more practical sort of superhero and I think that's what sets it apart from its counterpart. We are first introduced to Matt Murdock and his partner who are looking for a law office and their first client.

From there, it's one big exploration of who Matt Murdock is. And Charlie Cox does a wonderful job of making the role his. He's a down-to-earth guy, he's not classically handsome like most superheroes these days, and while it is awkward when people finally notice that he's blind he has a good attitude about it. Immediately at night he's out hitting bad guys and taking names. What I also thought was interesting was how they handle his extrasensory powers. Everything that makes him unique, they use pure auditory cues to let you know that what he's experiencing is something new. Don't get me wrong, I liked what they did with the movie version but this was cool too.



And what I also liked with how they don't give you all the answers right away. That's why TV shows usually work a little bit better than movies because movies have to cram every piece of information in a certain amount of time. But TV shows allows for more character development and plot development so that you're discovering things with the character. So while Matt Murdock is doing all of these amazing fight scenes, you already know that at some point he had to receive training. But that's not explained in the first episode. It's world building at its finest. And I liked his relationship with his father. Of course we all know the story about how his father was a boxer, a crooked boxer, and he wanted his son to be smarter than what he was.



What I also liked was that the flashbacks to the past weren't in every single scene. It was spread out over multiple episodes so that it was more like quick memories than anything else. And Charlie Cox's  acting made it seem like it was something he had to do not that he was just running around in a mask doing it for fun. He wasn't burdened by it, he didn't hate to do it, it was more like he liked doing it. Like he says in the show when he was talking about his grandmother about how the Murdock boys have a devil inside of them. So it made sense that his rage came out in every villain that he encountered. So often superheroes feel the need to do what they do out of a sense of justice, past experiences, or because it was given to them by a mentor or an authority figure. They never seem to enjoy what they're doing which they shouldn't but that's what makes Daredevil on Netflix so compelling. It's the simple fact that he enjoys it that adds an extra delicious part to his acting and to the character and makes you see him as more of a antihero than a hero. But he is a hero considering all the people that he helps in just 10 square blocks of New York City.

His friend Foggy, played by Elden Henson, adds a funny element to the show. So it's not all doom and gloom, for the most part. And he's not just the goof, he has some interesting bits about him. He has some interesting stories and interesting facts that pop up throughout the series that makes him a three-dimensional character and someone you want to root for. Someone outside of the title character and that adds to the show. And his relationship with Matt is so special that you can tell that they're friends. They don't seem like they were forced into the situation or that they are just two actors acting. They seemed like genuine friends and again that adds to the show. It's not like regular superhero movies where the new thing now is to hate your opponent until you need them.



 It sucks because I want to tell you guys everything that happens in the show, but I can't go any further without giving too much away. So like I always do with spoilers, highlight in between the asterisks if you're not afraid of spoilers.

*
What I really liked about this show, was that even though Matt has this big secret his friend Foggy does eventually find out about it. It was by pure accident that Foggy had went over to Matt's apartment looking for him, and Matt stumbles in completely bashed.  Matt had just got into a fight with a ninja, yes you read that right, and he was out of it. He didn't even realize that Foggy was there.  And I thought that was so interesting because here was Foggy who was his best friend, who didn't know Matt had this big secret.  And the creators didn't wait until the next season or the season after that to unveil that.

There was this whole big scene where Foggy had to come to terms with who Matt really is at night.  While Matt is at his lowest, having just gone against the kingpin, Foggy lays into him about being the masked vigilante he was just talking about at the office. And this scene was so electric and so interesting that I could not tear my eyes away and I was happy that they didn't wait so long for this reveal. That just makes this show one of the reasons why it's so different from the movie or any other superhero show that we've been introduced to. From that point on their whole relationship was turned upside down. 

Matt had to fess up to how blind he really is, which is very, but as we know he has extrasensory powers that allows him to sort of see. How he describes it in the show is a ball of fire. The world seems like it's on fire. And for one brief scene between him and nurse Claire, played by Rosario Dawson, we saw how Matt saw. And because it was only one scene it made it that more powerful.

 He dropped so many truth bombs that Foggy had to leave. And for a couple of episodes they wouldn't talk to each other leaving their secretary, Deborah Ann Woll  of TrueBlood fame, bumbling around wondering why they are not talking to each other.  And it sort of breaks your heart because you've invested all this time in their friendship only for them to skirt around each other.  *

This show wasn't just about the evolution of Matt Murdock into the Daredevil we know today. It was about the evolution of every body, including the kingpin.  Wilson Fisk is played by Vincent D'Onofrio who has made an astounding comeback in his career. We all know where Wilson Fisk is going to end up yet Daredevil doesn't give you the chance to paint anybody as a hero or villain.  Yes Daredevil is supposed to be a hero but he likes to fight  just like yes Wilson Fisk is supposed to be a villain yet he has a softer side.  We get his back story as well as his involvement with a woman that's actually sort of sweet. I'm not saying root for the guy as you will find out when you actually watch the show but don't paint him as a villain just because that's what he is in the comic books.



All in all, this is a very well thought out gritty show. It's firmly for the adults not because of any violence or sexual behavior; it's smart and dark and tackles a lot of adult themes that will go over a kid's head. This is not your kid's Daredevil and I think that's why it excels so much. That's why so many people talk about it. And that's why you should go watch it right now.


Unfortunately for The Slap



I was very on the fence about seeing The Slap, as I'm sure most people were judging by the ratings it got. A whole show centered around a kid getting slapped by an adult that's not his parent? That can be summed up in one episode, not however long NBC plans on airing it. I only watched one episode and that's all I'm basing this review on.

First of all, that kid deserved it. If you decide to watch it or have already watched it or you don't plan on watching it, let me be clear: that little boy deserved what was coming to him. If I even attempted half the stuff he did, I would not be here today. Now, he shouldn't have been slapped by another adult who's not his parent, but he did deserve it. I won't tell you what he did, but again, the brat deserved it.



It's so hard to talk about this without wanting to tell you everything he did leading up to it, so for the sake of spoilers, highlight over the next part in between the asterisks for my thoughts on it.

* When I say that kid deserved it, I mean that kid deserved it. He was tugging on his mother's dress, he threw and broke Peter Sarsgaard's character's vinyl records, pulled up his rose bushes, hogged the gaming tablet, swung a wooden bat dangerously close to the other kids, and kicked an adult in the shin. I would never be heard from again if I threw someone's vinyl records, let alone get picked up and shuffled off into another corner where I could do more damage. 

And the parents were the most self indulgent, hippie, "I believe in time-out" BS that messes up kids nowadays. They should have been the one to whoop their kid and instead just kept casually telling him to stop. Um, if he didn't stop the first time you told him, or the fifteenth time, then he should get his ass beat. But they just sat there, leaving it to someone else to do it and then they want to sit there and cry foul. What? *

Second of all, this show was adapted from a book, then an Australian format, so that's where they also made a mistake. Nothing against Australian tv, but they have a slower format than Americas 'gimme now' format where a shocker or scandal has to happen every two seconds so viewers will stay tuned in. I'm kind of on the fence about adapting shows from overseas only because I have a great love for British shows, but they tend to be a lot slower in pace and content than its American counterparts. While AMC tries to bring us back to that sort of slower storytelling, and I'm all for it, some content just can't be that way. So when a show makes its way over here, the producers like to copy it shot for shot. Gracepoint and Broadchurch anyone?



Again, I'm all for the slower format if it's justified. NBC centered this entire show around the premise of a kid getting slapped and the ethical and moral corners it sticks people in as they decide who was right and who was wrong. But it's clear from the very get-go that this show has more to do with the lives of the adults. Suffice it to say, been there done that. None of these storylines are anything new and there are plenty of ways they could have gone. Let me explain:

Roll over in between the asterisks for the spoilers:

* Peter Sarsgaard plays a guy named Hector who is just reaching his 40th birthday. His coworkers throw him a party but then comes the hammer from the big boss that he didn't get a promotion. So now he's upset. He goes home to where we see he has a biracial family, his wife is black and English, and their kids are mixed. Okay, that's new and I'm digging it, but it's obvious he's an overworked dad. 

He goes upstairs, puts on some jazz, the only thing that makes him happy, and he's dreaming of some young girl who barely looks old enough to drive, and he's fantasizing about her and making excuses to go and see her at some clinic. Apparently, she's the nanny for his kids...I mean the list goes on and on. They're not actually doing anything, yet, but how cliche can you really get? Boo hoo, his mortality is staing him in the face so now he wants to entertain the idea of some new girl who actually wants him while his wife slaves over making food for his birthday and taking care of his kids to stop and give him birthday sex in the morning. Puh-leese!!!!

Then, Uma thurman is dating some younger actor guy who she's all in lurve with, but judging from the other previews, she's scared of how much she likes him which only means she's going to mess it up somehow. Need I go on? *

Third of all, I was confused by so many relationships in the episode that I focused more on that at times rather than why the kid wasn't getting disciplined by his hippie mother, Rosie played by Melissa George who was also on the Australian show in the same role. Far as I know, Peter Sarsgaard as Hector is the guy we start out with. He has a black English wife Aisha, played by Thandie Newton, and they have two kids together who never stop arguing. Hector has an overebearing mother and a tired father and they're Greek, and Aisha doesn't like the mom very much. Then there's Harry, Hector's cousin played by the gorgeous Zachary Quinto, who's rich as he's rolling around in a range rover and worried about it getting stolen. He has a wife, Marin Ireland, and a son, but that's where I lose it. I have no idea how Rosie and Gary, Thomas Sadoski, fits into the family. Maybe I just didn't catch it, I don't know. And then there's a completely anonymous black couple way in the peripheral who I can only assume is related to Aisha, but they serve no purpose other than to fill out the party. Again, unclear with that relationship. And then there's Uma Thurman who plays Anouk, and I have no idea what her relationship is. Maybe she's Hector's sister?? I don't know, but judging by the name, I'd say she's related some kind of way. 

Honestly, the only thing this show had going for it was the Greek aspect and the actors actually speaking Greek and that whole language divide because Harry and Gary already hated each other. Harry slapping Gary's kid, Hugo, was just icing on the cake and a catalyst for them to come to blows. Though they never actually do, that would have at least livened things up a bit.



And unfortunately for The Slap, they had some top tier talent. People who may not have the global box office domination but have a strong enough fan base who will tune in to their projects. So it's a wonder why they even signed on to this thing. Peter Sarsgaard is just coming off of The Killing, Zachary Quinto off of Star Trek, Uma Thurman, Thandie Newton, Brian Cox from the RED movies, and Thomas Sadoski off of The Newsroom and guest spots from Law and Order: SVU. It just really makes you wonder.

I won't be tuning in for any more of this drama despite the talent. Because I'm sure in another universe, Peter Sarsgaard, Zachary Quinto and Thomas Sadoski are my soul mates. Le Sigh.

Mea Culpa, Agent Carter



HAPPY NEW YEAR EVERYONE!!!  Yes I'm late, but still, it's 2015, it's filled with great new shows and movies and everyone is just hoping no one remembers their New Year's Resolutions so they won't hold them up to it.

Part of why I wanted to wait to make this new post was because I didn't want to talk about any of the new shows out before I talked about Agent Carter because it featured so heavily in my last post. I didn't think it was fair to make all these assumptions about Agent Carter and not at least give it a chance. And I did give it a chance and here is what I thought about it.



Agent Carter picks up exactly where Captain America: The First Avenger left off. Cap just died and Peggy has to readjust to civilian life just like so many other returning vets. She's keeping her emotions close to her vest as she joins the S.S.R. but the only thing she's good for is being a secretary. The other guys are all cowboys and absolutely hate that there is a woman working with them, except for one who always tries to speak up for her. In the very first ten minutes of being there, they're lobbying sexist remarks towards her and asking her to make coffee and running to get lunch for everyone while the big boys run out and do actual police work.

It follows Carter as she's trying to prove herself as a good agent and Howard Stark comes up as a spy against the U.S. His "bad babies" are stolen, ideas he knows are good ideas but they are so diabolical, that he doesn't want anyone to get their hands on it. He asks Carter to help prove his innocence and he asks his servant, Jarvis, to help her.



Let me start this off by saying that most of my observations in my last post were not completely unfounded. It's a good show, it's a little campy and a little cheesy, and they keep hitting the nail on the head about her being a woman and how she'll never really be an agent compared to the guys because no one will let her. No one's really ready for it to happen, but we all know it does. But still. Hayley Atwell tries to do the best she can with the role she was given.

In the first episode she's getting herself out of tough situations, she can more than handle herself in a fight against like six big, bad guys, but in the end, her colleagues will never respect her which is why she agrees to help out Stark. There's no denying that she's a badass, but in the end, it's like they want you to know that despite never being equal, she's actually better than the men around her. Okay, we get it already. The men around her are starting to sound like broken tape recorders as they constantly tell her that she's a woman. Really? You mean her giant boobs and tight skirts didn't give her away?

And what's with that? If you look at her in the movie, she's no where near as busty as she is in the show. Minor annoyance, but still, it serves no purpose to the plot.

When they're not constantly reminding her that she can't play with the big boys, the show runners throw Carter into all kinds of death defying missions that picks up the show very well. No one's going to argue that Carter can kick butt. So when she actually does it, it's great to watch. I just wish she could do the same thing at her job. She just sits there and takes whatever they dish out. Which, according to the time period, she can really do nothing about. She can't complain because then they win, she can't prove them wrong, because no one will give her a chance. Still...........



The only truly bright spot is James D'Arcy as Jarvis. He is just absolutely wonderful and besides Carter, he's my favorite on the show. He's so British, polite, awkward, caring, and loyal and I just love him to pieces. First of all the name!! I cannot recall if Stark had a Jarvis in the movie, so don't quote me on this and feel free to correct me, but from my knowledge, he didn't, and he is just wonderful because it ties in with Tony and his automated Jarvis. So despite he and his dad having issues, he has a Jarvis as a sort of homage to his dad.

What I also liked was the role reversal in Jarvis. He's married and though we never see his wife, she calls to him from the other room. He handles cleaning off the table, washing the dishes, and making fancy desserts for her and it's so cute and great that he does that for her. Sure, you can say that he's a servant and he's used to it, but to you I say shut up, because James D'Arcy is perfect for it. He's tall, lanky, and has a sheepish quality to him that just draws you in. Sort of like a puppy. It's clear that he's attracted to Carter and she to him, but he's happily married and I swear, if this show took that route, I'd be disappointed. But already, you can tell that there's a great respect and a bond between them that gives it a nice dynamic between them.



There's also a nice spot for Chad Michael Murray who by some trick or some spell, looks younger than he did when he actually was young. How that happened, I don't know, but he does play an asshole on this show. An unnecessary one, but again, the time period.....



Howard Stark by Dominic Cooper is also a lovely addition when he pops in from time to time to shake things up and that's when things get funny. The movie focused so much on Cap which was understandable so in the show, we truly get to see his character and how close he and Tony are similar. They have to be, because that's a father and son, but we miss out on that whole dynamic in the Iron Man movies besides Tony spouting how distant and genius his father was, but how Tony resented him. We never actually get Howard's point of view towards his son because by this time, Howard is still too young to have Tony. But you see that they both chase women, both are brilliant and arrogant in that brilliance, but they also care. It's great to see and make all of these Avenger connections which is why I'm so in love with Marvel and how they connected all of these movies.



At first glance, it seemed like a no brainer right? The animated series always had the heroes knowing each other and working together, but the movies weren't. So when they started doing it, it's kind of like, "Why weren't they doing this sooner?" And that's probably why I'm so biased towards DC. Please don't get me started on that whole debate! Ha!

All in all, the show has a bunch of potential. It's a good show, but heavy on the cheese so if you're into that sort of thing, then by all means. I recommend you see this show. It's certainly no Agents of Shield, but it has it's old fashioned charms which is probably what it was trying to accomplish. I just wish they didn't make the whole thing a feminist debate. It's fine to throw it in there, but her gender shouldn't define her which is what I was trying to say in my last post. From the get go, from the very tag line to get you interested, they've made it a feminist debate and it sucks because the show suffers for it.

I do hope they get another season, I'm interested to see where it goes, but if they can bring in more Jarvis/Carter banter, Stark/Carter friction, and Carter kicking butt then I'm staying tuned in every Tuesday night!


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    Obsessed With

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    • The Magicians
    • Broadchurch
    • Game of Thrones
    • Daredevil

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